发布时间 : 星期二 文章身韵的手眼身法步在古典舞当中的运用更新完毕开始阅读bd42146cbcd126fff6050b1e
本科毕业论文封面式样
分类号 UDC 单位代码 10644 密 级 公 开 学 号
本科毕业论文
身韵的手眼身法步在古典舞当中的运用
学生姓名： 二级学院： 专 业： 班 级： 学 号： 指导教师： 完成时间： 年 月 日
中 国 ? 达 州 20 年 月
身韵的手眼身法步在古典舞当中的运用
目 录
摘 要....................................................................................................................................... 2 Abstract ..................................................................................................................................... 3 一、绪论 ................................................................................................................................... 4
（一）研究目的和意义 ................................................................................................... 4
1、研究目的 ............................................................................................................. 4 2、研究意义 ............................................................................................................. 4 （二）国内研究现状 ....................................................................................................... 5 （三）论文的主要内容 ................................................................................................... 5 二、身韵概述 ........................................................................................................................... 7
（一）身韵的艺术特征 ................................................................................................... 7 （二）身韵之“形、神、劲、律” ............................................................................... 7 （三）身韵中的艺术呼吸 ............................................................................................... 8 （四）身韵对中国古典舞成长的影响 ........................................................................... 8 二、古典舞中身韵手眼身法步的重要性 ............................................................................. 10
（一）舞者心态及内涵的表达 ..................................................................................... 10 （二）表现动作的节奏、层次及力度 ......................................................................... 10 （三）动作自身的律动性 ............................................................................................. 10 三、身韵的手眼身法步在古典舞当中的运用 ..................................................................... 12
（一）腰是古典舞中表现技巧的关键所在 ................................................................. 12 （二）旁提是一个不容忽视的部分 ............................................................................. 12 四、总结 ................................................................................................................................. 14 参考文献 ................................................................................................................................. 15 致 谢..................................................................................................................................... 16
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身韵的手眼身法步在古典舞当中的运用
身韵的手眼身法步在古典舞当中的运用
XX专业XX级XX班：[姓名] 指导教师：XXX [四号楷体居中]
摘要
中国古典舞，是通过艺术实践的检验流传下来的具有一定典范意义和古典风格特色的舞蹈。它是中华文化的流传和延续， 且具有很高的审美价值和艺术魅力， 中国新古典舞是当代舞者致力于建设中国当代民族舞蹈的一种尝试。 它是在民族民间舞的基础上，经过历代舞蹈家的提炼、 加工和创造而逐渐形成的舞蹈种类， 它充分体现了舞蹈 “形、 神、劲、 律” 的高度融合， 这正是中国古典舞身韵的重要表现手段。鉴于手、眼、身、法、步是中国古典舞的精髓和灵魂，本文就从身韵的手眼身法步在古典舞当中的运用出发，就中国古典舞的手、眼、身、法、步在古典舞当中的运用进行了初步的探讨与分析。
关键词：古典舞；手眼身法步；运用
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身韵的手眼身法步在古典舞当中的运用
Hand-eye agility step of Body Charm in the use of classical
dance
Major: XX Grade: XX Class: XX Student: XXX Supervisor: XXX
Abstract
Chinese classical dance is based on folk dance , drama mergers extracted from the essence of dance and martial arts combination of agility , and long after the creation and processing of thousands of years of artistic practice dance professionals inspection , which combines aesthetic elements of ancient Chinese dance and contemporary aesthetics , thus forming today with strong Chinese characteristics ethnic dance styles of dance . Chinese classical dance is an ancient practice of the people working in the country in the creation of Chinese classical dance has formed our own set of national training system , and this system has a relatively strong national identity , have our nation's aesthetic features and aesthetics norms, our difficulty and artistic expression , is the other training system that can not be replaced . So, explore the body rhyme hand-eye agility step in which the use of classical dance in the traditional culture of the Chinese nation as a fundamental integration of Chinese modern aesthetic point of view , the essence of dance and martial arts drama comprehensive shenfa to train Chinese classical dance basic skills for the purpose of developing integrated intelligent Chinese classical dancers , supplemented by comprehensive use of hand-eye rhyme agility scientific, systematic and nationality laws which apply in the classical dance , focusing on the hands, eyes , body, law , step training to enable students to fully grasp the Chinese classical dance is the key rhyme to explore the use of hand-eye agility were among the classical dance .
Keywords: Classical dance; hand-eye agility step; use
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